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All the audio with Dr. Marit.

We're trying to defeat this and say there are clips that you should take those sends, play cool songs.

Now they just bitch about capitalism.

The show be pin short, but it still feels long.

Just too little H, morons, babbling it on.

Just 2 meal ways for us, that way, no.

Talk about movies, get it wrong, simplestly out, stop.

This podcast's off.

Stimasai out, dot.

This show fucking sucks.

Just do middle-aged one, try to do a show.

Virtue sickly, how they're so low.

Simphasai out, stop, this podcast, stop.

stop.

This show still fucking sucks.

Call billionaires, parasites, of middle upper views, and look the radical genus into everything they do.

Try to pretty much buy quality and hoop to include.

Acting like everyone deserves to live there, true.

So be gay, sorry, but still feel long.

Just to be late, we're on, babbling on.

Just to middle age, Ross, babbling on, talking about movies, getting it wrong.

Sympathy, up, up.

This podcast up.

Then the flabs up.

This show still fucking sucks.

Just to be late for us, drive to a show.

Virtue signal it.

How they're so low, tip a tie out, Doc.

This podcast off.

Typasai out, duck.

This show still fucking sucks.

Oh, and welcome to the 540th episode of Cinema Psyops.

I'm your host, Cort, the guy that cannot believe that we are actually going to be talking about Bullet this week and doing the notes for that as my cohort in crime, Matt.

Crack open a cold one as we stay on the surface of the sun.

What the fuck, man?

Yeah, it's weird when you have to insulate your own windows from the inside of your house to keep your house at a survivable temperature.

Yeah, I'm in my basement and it's still warm.

In my basement's cold as fuck.

Yeah.

my basement has been warmed up because the ground has been consistently warmed up as well.

Yeah.

The temperature in my basement is the temperature upstairs, which is what my air conditioning is fighting to try and keep it at.

We, we, we're all, we're in a heat dome.

Yeah, corn sweat or something?

I mean, fuck this, whatever it is, it's awful.

Oh, it's just fucking terrible.

I wonder if it's hot enough for like the corn to start popping.

That's next.

Yeah, it's going to drop out.

Remember, we did have a heat wave last summer where trees were exploded.

So that was fun too.

Oh, Christ, what a weird fucking world we live in.

Yeah, yeah, yeah.

that's so fucked up

But this week we are talking about bullet, which we can look forward to at least.

Bullet, man.

Oh, fuck it, what a what a treat.

You know, a lot of times with this show, we sometimes are watching absolute garbage, you're trying to make the best of it.

This is not one of those types.

This is a good fucking movie.

Yeah, spoiler alert, a lot of the car chase movies that I picked are gonna be good.

We do have the pre-1980s.

We do have some, some that we have to keep in because of their status as the longest car chase of all time.

There's one that I was neglecting putting in.

And I pulled another one out and specifically went, no, we're putting this one in.

So what's happening here is you're doing bullet, then next week is vanishing point, and this is the plan, the following week, Mac gets to do the notes for the original gone in 60 seconds.

Yep. Then I do the notes for Cannonball the week after that.

Oh, you get cannonball, you son of a bitch.

No, this is not Cannonball Run.

This is Cannonball from 1976.

That's a different film, I man.

It's a good movie.

Yeah, but you get to do Ron Howard's directorial debut after that for episode 544, which is Eat My Dust.

eat my dust.

The only thing I was said about in this movie, Spoiler Alert, was seeing a sweet 1968 Dodge Charger being absolutely wrecked, but it's fine, I guess.

You also see another Dodge Charger get wrecked in my movie next week.

Vanish.

That's that's also very true.

Yeah, I just knew we were talking about my movie right now.

Yeah, but we're going to wrap it all up with the driver from 1978.

That's all of our car chase movies pre-1980 and then we'll be on to the trucker movies post 1980 after that.

That's not 100% set in stone.

We're going to figure out which ones we want to keep and maybe rearrange some things, but I'm having a blast with these so far.

Yeah. anti-authoritarian, like just get in the car and go.

Like, I get why people were obsessed with muscle cars in this era.

Oh, yeah.

I mean, I get why people are still obsessed with muscle cars to this day.

Yeah, this era is specifically these 2 films were covering in the next 2 weeks.

I was born in the wrong time.

I'm telling you

You ever feel that you were born in the wrong time?

I mean, I think anybody who's alive right now wishes... It feels like they were born of the wrong guy.

So why don't we go back to what's so fucking cool to cool us off on this hot summer day that we're recording with Steve McQueen's coolness and bullet, and we will take a break now.

We'll have the Legion Patreon ad, which I can keep playing now because Bo's back, man.

Hey, Bo back. He's podcasting again.

I'm going to have to try and reach out to him and see if we can get a hold of him.

But yeah, it's really great to have Bo show up on the pod feet again.

I'm really happy about that

That means we can keep the ad.

He's still podcast.

He's still around.

We're still going through it.

Yeah.

And after the Legion Patreon ad.

will go ahead and play some music that will be created right before I do the edit that should have the plot line for bullet explained in the lyrics somehow, some way, shape or form, and hopefully it all rhymes.

Yeah. Yeah.

If it doesn't rhyme, what the fuck are we doing with our lives?

But we're going to have all of that and when we come back, we will be what we'll be doing with our lives is fucking talking about bullet right after this.

This will keep us diet.

Oh, hi there.

I didn't see it.

You call me cutting a new show.

I'm Bo Ransdell, and I'm one of the many creators you can find on Legion podcasts.

I said quiet.

My fellow podcasters and I work hard to bring you the best in horror podcast name, but that comes at a cost.

Not that, but also, yes.

No, what I'm getting at is that there are server costs, costs for good microphones and software for editing, all the things that make our shows, you know, fun to listen to.

And you can help.

If you're enjoying the shows on LegionPodcasts.com, or in the Legion Network available on iTunes and Stitcher, just about anywhere you can download a podcast, really, you can help us out and get a little something for your trouble at patreon.com/LegionPodcasts

For just 2 bucks a month, you get a pair of movie commentaries exclusive to Patreon, and for $5, you can also join us for a monthly screening of a movie.

All of that available on patreon.com/legionpodcasts

We appreciate it, and thank you for listening.

Now, back to the cutting room.

Well, that was definitely music that was created right before the edit, that should, hopefully, tell the story of Bullet, is my cohort and crime here, Matt.

All right, bullet.

And it's, here's what's going to be really funny for you guys.

This is almost a 2 hour long movie, and I only have 13 clips, and not all of them are long.

That should tell you that this is a lot more of a visual story to be told.

A lot of like walking around.

To me, honest to God, there was maybe a little bit filler.

You probably could have done this movie an hour and 45 minutes, but you know, I'm not going to argue when it's this good.

So the 1st 30 starts, there is a break in, tear gas, mobster shootout with another guy, and this guy gets into his car, and he's able to escape them.

Uh, then he, he, uh, heads to a hotel and uh, he's asking me if there's any messages.

He's not staying there, but he's asking if there's any messages for him. And they say no, so he gets out, gets into a happy cab, and the doorman seems to know him and makes a phone call stating the cab number and that he was taking off to whoever was on the other line.

So, then we cut to a different dude.

He's heading uh to uh a friend of his place and he rings him up and the guy's sleeping.

We see the man sleeping upstairs, is our, uh, Steve McQueen, or in this case, his, uh, name is Frank, and uh, Frank Bullet, if you will, and uh, Bullet, Frank Bullet.

And, uh, so he wakes him up and he was like, hey, what time did you finally get to bed as he pours himself some orange juice and the guy's apartment and he's like, uh, you know, just about 5 in the morning.

Doesn't seem like Frank gets much sleep.

Anyway, the dude starts reading out loud in the newspaper and McQueen's little hungover or just tired, tells him to shut up and he looks at him and goes,

Hey, it's time to get to fucking work, Frank.

Let's go.

So, uh, they're, and obviously we see now they are cops and they head out and they are called to a, uh, very important, uh, I guess he's an assemblyman or, uh, uh, no, uh, prosecutor.

I sorry, he's a federal prosecutor named Walter Calmers.

who he's that guy.

He was in the Superman part 2 movie as the bad guy.

But he's been in everything.

But it's weird to see him young, but even young.

It's Robert Brown.

Yeah, Robin's name is Robert Vaughn.

But he still looks like 50.

Yes, he's always fucking looked old until he got old and then he looked young for some fucking weird reason.

Yeah, I don't know what happened here.

It's messed up.

He's an old soul face.

He's got resting old soul face.

Yeah, yeah, yeah.

So anyway, um, uh, so they end up at his party and this leads to our 1st clip.

Thanks for coming over.

name is Frank, isn't it?

Please call me Wolf.

I have an important job for you.

Captain Bennett suggested that you take it.

As you know, there's a Senate subcommittee hearing here Monday.

I have a star witness who needs protection.

Sam said that you were the man with the job.

And I can't find a flaw in that statement.

Protection from who?

The organization.

His name is Ross.

Johnny Ross from Chicago.

Once and for all, the top men in law enforcement are united.

We're going to expose the organization.

I read your speech.

Why San Francisco?

Ross is safer here.

That's your Province.

Keeping him out of reach for 40 hours.

Where?

The Hotel Daniels.

226 and Barkadero Road, Room 634.

He's there now, expecting him.

So now that you know where my house is, Lieutenant, I hope that we'll get to see a lot more of each other.

particularly in view of the investigation.

A senatorial hearing as a way of catapulting everyone involved into the public eye, with subsequent effect on one's career.

It would be a pleasure to have you along.

Have them in court on Monday, Frank.

What was that all about?

Pals?

You and Chalvers, huh?

A lot of juice?

Hotel Daniels, 226 on Barcadero Road.

State's evidence witness, and we're babysitting.

Let's go.

Bet any coffee, coffee?

Yeah.

All right.

Well, anyway, so they head to the snitches, uh, a little apartment place that he's renting, and that is our next clip.

Hey, Mr. Chalmers said you'd be here by 5:00.

He guaranteed me that.

Oh, uh, sorry, we got held up, uh, traffic.

Got any firearms?

No, man, I got nothing on me.

Is my wallet?

Scratulator.

You want to check me out yourself?

No, no, that's not necessary.

Put that stuff on the bed, will you, please?

How did you, uh, how did you get here from Chicago?

I flew.

You sure none of the boys were on the plane with you or saw you get on?

How would I know?

I wouldn't know.

Mm hmm.

How come you picked this room to hold up?

I didn't pick a shell, Miss Pickett.

Why?

Stay away from those windows.

That's why.

Say, look, uh, sit down and relax, Ross.

It's a long wait until Monday morning.

We better get a fix on some food.

982. What? 5997.

Some food.

Number 97.

I know Chalmers wants you to be happy.

We'll do the best we can.

Dad, it's for you.

Listen, you're not going.

You're not going.

Listen, we're gonna go into a world because I don't want you to go home.

I don't know. Hold it out.

Hold it down.

Don't be too late.

Why don't we just let a movie...

don't want you...

Hello.

Hello.

Captain?

Frank?

Well, see you later, Dad.

I've seen Chalmers.

Uh huh.

What do you know about Ross?

Chicago.

It could be very bad.

You had access to all the records.

You ran the wire service.

Is a belly, don't you?

Brother Pete.

Okay, okay.

Did Chalmers ask for me?

Uh huh.

You happen to know why?

Yes, I know why.

He's grooming himself a public office.

You're my good copy.

They love you on the papers, Frank.

Yeah, okay.

I see.

Okay.

Just try to?

So long, Sammy.

I said, okay.

Say, who were you talking to about me on that telephone?

Now, look, Mr. Chalmers said this was just between me and him.

Me and him, man, that's all.

They'll get it here, I'll take the first shift.

Stanton will be on at 12.

I'll take the third.

Now, all you've got to worry about, Ross, is just staying away from those windows, especially at night.

You call me before you leave.

Yeah.

Excuse me.

Fire escape in the freeway.

That's the bad news, right?

Right.

Want me to stay?

No.

All of them to your wife.

What shift?

Second.

We work on a weekend.

We get two days off.

So long.

All right, well, then, McQueen leaves after they set up their schedules for watching this guy, and he visits his lady friend, and that is our next clip.

This is the way.

This is how you podcast.

Is this a new fountain?

Fountain?

All the client can afford is a leaky faucet.

I thought that, uh, money didn't matter, artist.

It costs money to have us home.

Friction, loss of water and feet per 100 feet, length of pipe formula, using a constant 100 size, standard pipe, in inches.

I wonder, use 600 gallons of water per minute.

Now, what's the velocity per second of a 5 inch pipe?

Oh.

Look to the extreme right.

Now go down the figures until you find 600.

Got it.

Now go across until you find the five inch pipe column.

What does it say?

9.8.

Now I want the loss in feet.

Three feet, huh?

Well?

I lost my place.

My body's perfect.

All right.

So, they have a nice little date night, they're out, and we get some jazz flute, man, the '60s, that's when the flute was maybe its most popular.

Really jazz food.

The, the, all that music played was just all from the 60s and yeah, it's just, it's the jazz flute had its own time.

I even made a note about how much jazz flute was around in 60s movies that we've watched.

Like, man, it really just had a decade where it just was top notch.

Yeah, like in 1968, this movie must have seemed so fucking hip and with it and cool because it is such a timestamp of that era.

Yeah, it well, it definitely was hip and cool.

Yeah, man.

It was fucking, it was fucking, this movie is nothing but hip and cool.

Yeah.

and swagger.

Hip cool and swagger, but...

Yeah, no, I mean, fuck, yeah.

I mean we're about to just want to blow McQueen at this point.

So, anyway...

I really am.

So anyway, back at the motel, Ed, uh, one cop gets a call that, uh, the councilman's there with a friend, and he's like, that's weird, so he calls me Queen, and Queen's like, yeah, he ain't showing up at one in the morning.

I'll be there in 5 minutes. And then, uh, the snitch gets near the door, and the cop, the cop tells them to get away from it, and then the cop knows the chains off.

The door breaks open.

A guy comes in.

A couple of hitmen come in with a shotgun, shoots the cop in the leg, then kicks him in the face to knock him out and then blasts the snitch right in the fucking chest.

Uh, an ambulance gets there.

They, they're getting everyone out, you know, all the injured people. And, uh, Frank, uh, talks to Slanton, who's the cop shot, and that is our next clip.

I know you're hurting.

But I've got to know now.

The two men.

You remember anything?

Okay.

105, about 510,

Right here.

Gun, Winchester pump.

Oh, I remember.

Came in so fast.

Right?

Chain was off.

Again, lock the door.

Who unlocked it?

Ross, like he's expecting someone.

On, my leg.

Hold on, Carl.

We'll be there in a couple of minutes.

And that is the end of our first 30 minutes.

Yeah, it goes really, really fast, and yet, the thing that this movie has been selected for, car chasing has not even been slightly hinted at yet.

No, we had, we have, and it's really interesting.

This isn't even just car chasing.

Well, that's our thing of why we have it.

It's just chasing.

It's everything's a chase in this movie.

Cops trying to find the truth.

Mob trying to chase a snitch.

Uh, it's a very very beginning of the movie, a guy, the snitch is trying to get away from the mobster.

I mean, it's all a chase, this whole entire movie, whether it's cars on foot.

People chasing other people, people just chasing truth.

That's all this is.

Some folks chasing vengeance for being ratted upon.

Yes, yes.

Because, you know, you're not supposed to fucking rat.

Snitches get left in ditches.

That's right, man.

that's what it hurt, but... That's what I heard, you know?

I was like, okay.

So why I don't snitch on anybody.

Unless it's like I'm snitching on everyone to my wife because I tell her everything.

So.

That is 100% snitching.

Fuck, man.

This this film just goes for it. and it radiates coolness as we were talking about.

Yeah.

like this is probably like the peak of fucking hip and cool in 1968.

Like, I clearly was not there, so I don't know, but I just feel like this was targeting those that were hip and fucking cool and we're with it.

Yeah, yeah, yeah.

They were with it.

All right?

And you know what?

It has it changed.

That's still it, and they're still hipping cool with it.

Let's move on to whatever your next block of time.

Right.

Next 30 minute starts.

We are at the hospital and the snitch, after surgery, is given 5050 chances to live.

Uh, by the way, very progressive uh, for the time.

It's a black doctor.

I mean...

Yeah, I did because I'm like, damn, they, they, really, they're being really fucking cool around here and good, good on them because fuck yeah, of course there are black doctors.

Are you kidding me?

Jesus Christ.

However, we see our later on, the councilman gets pretty racist about it, but he tries to hide it that it's age, but we know.

Anyway, so the captain shows up and that is our next clip.

How's he doing?

Hold on. Stan.

Okay, he's sleeping now.

I want to talk to you.

I got the report back from the lab.

Nothing at the hotel.

How come they got in?

Ross got to the door, unhooked the chain from the inside.

You let the killers in a shelf.

Well, uh, why would he do a thing like that?

I'm waiting to ask him.

What about the setup?

What do you think about that?

Shotgun and a backup, man?

Professionals?

Yep.

I had to call Chalmers.

And?

Didn't get down too good.

So, man, a fat for him.

You know, the Senate Sub Committee hearing?

No, he can't produce a big surprise, he promised everyone.

He may try to make up some mileage by landing on us.

Play it by the book from now.

on.

Does Chalmers run this case, or do I?

All I'm interested in is results.

Do whatever you think is best.

I'll try to pack you up.

All right, so, well, then, uh, Chalmers shows up, and, well, there's dialogue, so that's another clip.

This is the way.

How is he, doctor?

As well as can be expected.

He's still under the anesthesia.

I'm Walter Chalmers.

Is there any possibility of my getting a deposition from Ross before Monday?

That's impossible to say at this time.

He may remain in shock.

I thank you for doing all you can, Doctor.

Get the supervisor.

Now, what went wrong, Lieutenant?

Who else knew where he was?

Glenn?

Who else knew where he was?

What are you implying?

Well, they know where to look for them when they used your name to get in.

Are you suggesting I disclosed his whereabouts?

Well, somebody did.

And it didn't come from us.

That's hardly the issue.

Well, it certainly is.

Oh. I've got an officer with a family.

And he shot up pretty bad.

Mm hmm.

And I've got a witness who can't talk.

I want to know about Ross.

What was the deal you made with him?

Deal?

Lieutenant, don't try to evade the responsibility.

In your parlance, you blew it.

You knew the significance of his testimony, yet you failed to take adequate measures to protect him.

So, do you, it was a job.

No more.

Were it more, and you the dedication, I was led to believe?

You believe what you want.

You work your side of the street and I'll work mine.

Lieutenant, I shall personally officiate at your public crucifixion, if Ross doesn't recover during the course of the hearing, so I can at least present his deposition.

And I assure you, I shall not suffer the consequence of your incompetence.

And even if there wasn't any, I'm rather certain I can prove negligence on your part.

And maybe another attempt on his life.

I'll be back in the morning.

With my people.

Thank you, Doctor.

I'd like to have Dr. Wildard replaced.

I think he's too young and inexperienced.

I, for my surgeon.

Form the administrator, please.

Dr. Ward is one of our...

I like him replaced, if you don't mind.

Well, I'll report this to her.

Thank you very much.

All right.

So, uh, then we see this other dude shows up, and he is one of the hit men, and he's going to come to finish the job. However, one of the doctors, smartingly, after he asks them where this person would be, informs uh, Frank about it.

So they're able to get extra guards.

A nurse sees the guy with a shank, and so she screams, so he has to run.

McQueen gives them chase. And here's another chase scene, just like suspenseful guy chasing the guy.

They're hiding in the bowels of the hospital where McQueen's looking for him in the dark.

The guy is able to get away though, uh, and and Jimmy's a door so that it stays shut on Frank, and he is able to catch up to him.

So Frank gets back up and we're finding out the things aren't going well for the snitch.

He dies, and this leads to our next clip.

need your help.

What is it?

I want this kept open.

If Chalmers finds out that Ross died, he's gonna fold this up, and I want the man that killed him.

I understand.

But I don't want your head on a block.

I understand.

His chart could be misplaced.

Your file, its mission, I'll take the responsibility.

All right.

Call the coroner's office.

Tell him to put Ross under a John Doe.

I want a private ambulance, unmarked, and I want it quiet.

Okay. Gotta say, the only thing that's not cool about McQueen's character is that he's a pig in A cab.

Yeah, yeah, yeah.

It's, it's unfortunate.

But we're, we're, this is can be a movie where we can play in the times of cops actually doing what they're supposed to be doing, you know, protecting and serving the public and not.

What time did that ever exist?

It never happened.

It's what they're supposed to be.

It's never happened.

They've never done that.

But it's what's supposed to be.

this is a fantasy movie.

is a fantasy world where cops do write.

Okay, yeah.

Yeah, yeah, yeah. In that case he's cool.

Let go.

Yeah, yeah, yeah.

That's how I owe you almost all cops in like who are supposed to be the heroes in their movies is that it's a fantasy.

It's a movie, so it's obviously a fantasy.

It's not based on any reality because it's a movie.

So, the, the fantasy is cops are actually doing the protected serving of the general public, uh, and and looking out for their best interests as they're supposed to, not what they are.

They're getting up there really high on that soapbox.

Okay, sorry.

It's, it's, oh, shit.

I'd even look down.

There's no ground beneath my feet.

Uh, so anyway, they take the body to the morgue and Frank stops to go shopping for a bit.

It's a weird scene.

Don't know why it's in the movie, but it's there.

Um, he picks up a lot of TV dinners.

Uh, so, uh, uh, uh, Frank, so, you know, why he has a girlfriend.

He's still a pretty lonely guy.

They're just showing how his job is his whole life and that's it.

Yeah, yeah.

Uh, so Chalmers now shows up to the hospital and that is our next clip.

I wanted the other supervisor.

The night supervisor went off duty an hour ago.

I'm Mrs. Francis.

May I help you?

You may, indeed.

There was a patient here.

His name is Johnny Ross, and he seems to have disappeared.

Disappeared.

He wasn't in intensive care, but there's no record of his whereabouts in the hospital.

But that's impossible.

May I see his medical charge, please?

I'm sorry, but hospital regulations...

It's an official police request.

Is it not, Captain Baker?

Yes, Captain.

I'll take care of it.

Thank you.

Excuse me.

Dr. Willins going on duty time.

Call him at home.

Are you sure he's not there?

Do you have Dr. Willard's home number?

Dr. Willard?

Yes.

Is there anyone there that can?

Joe, I'm terribly sorry, but there's been some medical complication as regards my witness.

I'm afraid I'll have to forego that bedside picture.

How much as it would have compensated for his inability to testify tomorrow.

But in all decency, I can hardly force the issue.

Well, does this mean you're a surprise witness won't be able to make any statement?

Well, the man was near death when he was brought in here.

In view of the attempt on his life.

I'm sure you can understand my reasons for secrecy.

Yeah, of course.

Good to see you again.

Can't reach Lieutenant Bullet either.

I keep trying.

I'm sorry.

I can't find Mr. Rose's medical chart.

It's evidently been misplaced.

Or appropriated?

Appropriated?

All right, I'll inform the administrator.

Thank you very much.

All right, I want a complete list of the night staff who might have been involved in helping Bullet Spirit Johnny Ross out of here.

I'm certain he grabbed my witness for his personal aggrandizement.

The lay odds on that.

And find Ross.

You're going right away.

Mr. Chalmers?

I have Lieutenant Bullet.

All right, where's my witness?

I've got him.

Where is he?

You going to tell me or not?

Well, I can at the present time.

Captain Baker would like to have a word with you.

Now, listen to me, Lieutenant.

All right, nail him.

I want him written out.

No problem.

All right.

So, Frank is investigating the crime scene the next day, and he talks, he and his partner talk to the front desk clerk, and that is our next clip.

totally the way. Totally.

Now, think back to the time the 2 of them 1st came in and you saw them.

Anything you can remember.

Like I said, they hit me before I got a chance to look at it.

I don't remember nothing about it.

Nothing.

Start remembering.

I can't.

That's the honest truth.

Don't get it, take him downtown.

Lieutenant, give him a chance. Well, he's trying.

No, he's not trying hard enough.

It'll come to it.

You're wasting your time.

Okay, come on.

One thing about the guy who hit me.

He had a square face.

There wasn't much light here.

They try to save on electricity.

Like this?

You know, thinner.

That's it.

Now it's coming back.

Let's go to the guy in 634.

No luggage.

That's right, sir.

And he didn't store anything.

No, sir.

He came in empty, which means you gave him a good lookover.

Always do.

They're the ones I give the eye to.

Then you saw how he arrived.

Yes, sir.

In a cab.

What line?

Sunshine cab.

The guy who hit you.

How old was he?

Oh, about 50.

What was his hair like?

Gray, getting bald, balls and both sides.

What's that?

No, Baldur.

Am I helping you, sir?

I never had it so good.

So Frank then finds the cab driver who drove him to the motel, and it is Robert Duval.

A young robber Duval, who also looks like he's middle aged Robert Duval.

Yeah, really, really weird.

This is like Robert Duval around the time of or just before the Godfather, right?

Yeah, so he looked the youngest and he's always looked old, except for when he got old and then he looked young.

How did that actually work?

Yeah, I just don't fucking know.

But this is Robert Duvall.

and it's it's so strange to see a Robert Duval who probably just getting started and acting at this point in a bit role.

With a lot of hair, like almost all of it.

almost all of it.

But he's a bit player.

I've never seen Robert Duvall just be an a bit role in the movie.

He always has a big part.

Can you imagine being a filmgoer who goes to watch Bullet, takes a note of the cab driver and kind of was like, hey, that guy did a pretty good job, then starts noticing as Robert Duvall's career, it just grows and grows and grows.

And then the whole time you're like, man, you remember when he was a cab driver and bullet?

Yeah, fucking that was wild.

So anyway, uh, he, uh, yeah, as I say, he finds a, uh, cab driver, and this is a discombobulated.

Lots of silence.

I have it noted.

Sorry, cort for all the editing you're going to have to do, next clip.

How long?

Not long.

Pull over there and wait.

Hello?

Eddie?

Dues time.

I need some information on a Johnny Ross, Chicago.

Give me half an hour.

Meet you at Enrico.

Right.

Two.

Two, what?

Calls, they called twice.

The second was long distance.

How do you know it was long distance?

They put in a lot of change.

Morning, Sam.

I don't believe I've had the pleasure.

Oh, uh, this is Mr. Chalmers.

My wife was Bennett, my son in law, my son Tony.

Tony, how are you?

Uh, this minute, would you mind if I had just a moment alone with Sam?

Oh, of course not.

Must be difficult raising children in the world today.

I presume, Tony's a college student.

Yes, that's right.

Well, I can well imagine the financial strain.

of sending a boy to the university on the salary of the captain.

Not there's no reason why a man with your potential, Sam, shouldn't move right up, given the right support.

My family's waiting for me, Mr. Charmers.

Bullet abducted my witness.

He removed him from the hospital.

As a superior officer, I've given him complete charge of the case.

If he's moving Ross around, it's for a reason.

So you mean that you will not order him to reveal where he's keeping from us?

It's his case, Mr. Chalmers.

Captain, I'm serving you with a writ of habeas corpus, making you responsible for the delivery of Ross.

Duly observed.

You have received it.

Now, I need that witness to prove his very existence.

And I do not...

Excuse me, sir.

Dad, Mom's waiting.

Would you excuse us for just another moment, Tony?

All right, sir.

And do not choose to have people to accuse me of false promises for the sake of cheap sensationalism.

Or to be compromised by your lieutenant.

Castrated.

Wait for me.

I won't be long.

According to my sources, the organization Chicago Branch.

Caught Johnny Ross with his hands in the till.

They estimate he siphoned off about two million bucks while operating their wire service.

Story is they tried to get rid of him.

Friday night, Chicago.

Chicago. Chicago.

He got away unharmed.

They believe he's hiding here in town.

How old is this information, Eddie?

Four hours.

They're looking for him all over town, Frank.

They staked out the docks, the airport, to keep him from leaving the country.

Anyone else trying for a hit?

Haven't heard of any such likelihood.

What about his brother, Pete?

In the clear.

Okay, Eddie.

Thanks.

Anything I can do for you.

There is something.

Remember Sashu?

They gave him three to five.

What's he in for?

They see him in stolen property.

I'll try.

Thanks, Frank.

And that's the end of that 30 minutes before we go into the next.

This is a dangerous game that they're playing here with the hide a corpse, and putting it as a John Doe, and then lying to the DA, and then saying that he can't produce the witness because the witness is deep in hiding, and it's for the best until it's time for the court appearance.

And then the DA getting more and more pushy for the whole happiest corpus thing that ends up happening really starts to get sus.

And by the way, not even a DA.

He's a federal prosecutor.

Yeah, okay. They carry a little bit more weight than even the DA does.

Right. And it's it could be bad.

Yeah, and Robert Vaughn is doing his swarmy best in this, man.

He always comes across as the most punchable man in the room, doesn't he?

Oh, always.

Every time.

Like every time you see him, which means he's a fantastic actor.

Oh my god, the man just oozes condescension with every breath.

Can I tell you something I knows about this movie as well?

Lots of pleases and thank you.

everyone's very polite.

Yeah, we've lost that in our day.

Being polite is cool, people.

So maybe add some pleas and thank yous to your lives, all right?

It's very nice.

Just before we get back into it, I'm going to add to that and augment.

I go out of my way to say, please, thank you, excuse me, and all of the overly politeness, and it has the reverse effect where it starts creeping people out, and they want to get the fuck away from me, because a guy that looks like me being that courteous is apparently a sign that something bad's about to happen.

Yeah, yeah, no, people don't like it. When it comes from someone who looks like you.

Sorry, Cort.

Yeah, what I like me? Me, it works out.

Like, I'm I'm very polite all the time, and it works out.

No one gets creeped out by that.

Here's where people would get creeped out though.

Court, it, it, it,

this is this is how everything's funny.

Uh, the difference is.

Cort, if you're highly polite, people are creeped out.

If you're generally rude, people would be more comfortable with you because of how you look.

You're married and everyone's accepting to that and fine.

If you weren't married and not even with a woman because of your general luck, people would be like, yeah, that's that's probably true because he's probably rude and shit.

If I'm looking like I do, and if I was never married by this point in my life at the age I'm at, people would think I'm weird.

People would be like, they wouldn't that like it.

They would, they would think they would like keep, like, keep people away from him because he must be weird.

It also doesn't help that if I don't smile.

I look like I wanna kill everyone.

That is also true.

Yeah, yeah.

No, we have several group photos with you in it where it's like, hey, why does Cort want to like murder the friend group?

And I'm like, I don't know.

Let's just court, man.

What the fuck?

If we were in a horror movie where one of our group was the killer, he's definitely the red herring.

We're all going to think it's cort, but it's not cort.

Let's move on.

All right, so the next 30, Frank gets dropped off to his car by the cab, and this is probably the coolest in why we chose this movie and the coolest part ever.

So Frank drives a Mustang, and all of a sudden he is being followed by that black Dodge charger.

and he able he's able to elude them and then switch up and come up behind them.

So now he's chasing them.

Then they hit the gas and we get a high speed chase through the town, through the city of San Francisco, so you're on all those goddamn hills.

The cars are catching air.

It's fucking amazing.

They are, it is fast.

It is real.

They're screeching all over the place.

Uh, it is an amazing chase to the city.

Uh, before I get to when they get out of the city.

Do you want to say anything real quick?

Yeah, it's frenetically edited and it cuts to inside and out of the car in such a way as to make you feel like you are actually there experiencing the driving with them.

And for the time frame in 1968 that this was shot in, the rigs they had to build just to get those shots, the technical prowess alone is so fucking impressive.

And this is not one of those things where there is something that is overhyped.

This car chased through the San Francisco streets is 100% the fucking tits, man.

This is what you come to this movie for.

Yeah, no, and it's just icing on the cake at this point, but when we're finally here for calling this a car chase movie,

The sequence lasts more than long enough for this to be an official car chase movie.

Yeah, exactly.

outstanding.

Then when they get out of the city.

This is where things get complicated as Frank, they're shooting at Frank, and then he nudges them right off the road and they run right into like, I don't know, what about some kind of construction lot, oil field, gas depot?

Thank you.

And they explode.

And Frank spins out because he's going so fast and he almost hits a ditch too hard, but it does fuck up his car, and you are just sad that a Mustang is fucked, and the Dodge Charger is now destroyed, and I don't know how I get over that, but emotionally I'm wrecked at this point in the movie.

I cried, and I could, I could believe that things happen like that.

But again, that, that, I mean, talking about it doesn't do it justice.

You have to watch that car chase.

I can't say any more words.

You convey how cool it was.

I can tell you what they did, but it almost doesn't mean anything.

And I did kind of tell you what it did.

That's it.

But you have to watch the car taste.

Yeah, there's a reason why our podcast is the cliff notes of movies.

You actually want to at least check out this chase.

If you're going to skip everything else for whatever fucked up weird reason you need to at least check out this chase because we're never going to do a justice.

Exactly.

Thank you.

So, uh, then, uh, so after the crash and the car chase is over, we, uh, McQueen has to now face the music and that leads to our next clip.

What the hell is going on here?

A high paper suit?

Two men are killed, an officer in the hospital, a witness almost murdered.

Now, I want to know what's happening, and I want to know now.

Let's hear it straight.

Here's the report.

Now, a man like Chalmers could be a great help to the department.

He could speak for us where it counts.

He could fight for us in the legislature.

Now, you have got to turn over his witness.

Where's Ross?

Tell him.

That's an order.

He's dead.

Dead.

He died last night.

After you moved him?

Before.

I've got him downstairs under a John Doe.

You are sick.

Smuggling a dead man out of a hospital, and now two men killed who may have had nothing to do with it.

The man I was chasing killed Ross.

How do you know?

Did you see him?

Yes.

He tried to nail me with a shotgun.

A Winchester pump?

The radio report said the two men were burned beyond recognition.

Now, all he's got are two dead men.

Would never hold up in court.

I've got one lead.

I want to move on it.

Mr. Dorothy Simmons, Thunderbolt Hotel, San Mateo.

Ross called her person to person from the phone booth in Union Square.

Approximately nine hours before he was killed.

So he called his girlfriend.

What does that prove?

This is Sunday.

I'm gonna hold that writ until we come to work Monday morning.

Frank.

Go on, get out.

We'll try to check it through for you.

Need a car?

Sure, Lieutenant.

There was no cars left.

Back to you as soon as I can.

No, unfortunately now, Frank.

Doesn't have a car.

Uh, and so, I mean, he needs help, 'cause he has still six to investigate.

So his his lady friend is driving around.

She's got a pretty nice little convertible car.

Uh, anyway, so, uh, Frank goes to check on the lady who the snitch had called from the payphone, and he finds that, and, and he goes inside, and the, we were really just focused on his lady friend in the car, and then cops start showing up.

Everything's blaring.

So she, like, you know, follows the cops to the hotel room, and she sees the lady has been strangled to death, and uh, she has to pull over to the side of the road as they leave.

because she saw the body and it freaked her out and they both leave and as they pull over, this leads to our next clip.

I thought I knew you, but I'm not so sure anymore.

Do you let anything reach you?

I mean, really reach you, or are you so used to it by now, that nothing really touches you?

You're living in a sewer, Frank.

Day after day.

That's where half of it is.

You can't walk away from it.

I know it's there, but I don't have to be reminded of the whole thing.

The ugliness around us.

With you living with violence is a way of life, living with violence and death.

How can you be part of it without becoming more and more callous?

Your world is so far from the one I know.

What will happen to us in time?

Time starts now.

Allie, what do you got?

I'll start with the cleaver.

All righty.

One cleaver.

One cleaver?

Approximately 8 inches... 8 inches?

Length.

All right.

Lieutenant, Miss Simmons, Lucky, has just arrived from the airport.

Okay.

Where is it?

For the gold shoes.

Right. There you go.

One pair of gold shooting.

Where is it from?

San Mateo Thunderbolt Hotel.

Yeah, who?

From?

Simmons.

What do we have?

One yellow metal locket, yellow metal watch, pearl necklace.

Put a hold on these.

Yes, sir.

Serial numbers ought to show up under the lamp.

They're not piled down very deep.

All right.

.

You got a man here.

Dearborn Travel Agency in Chicago.

Rome.

What all this literature?

Rome?

Yeah.

What do you make out of that?

Thought she was alone.

She's got a guy now.

New purse, still got a price tag in it.

We have a bag, son.

Yeah.

Nothing is new.

Really on the way.

Passport?

No passport.

No tickets.

Yeah, and I haven't found any tickets, either.

Bingo.

What do you got?

Great.

Albert Albert E. Rennick.

Who the hell is Simmons?

Look how much money he's got.

Look at this.

It was loaded.

Here, we got a renic.

We're a reno case.

Look what I came up with.

Dorothy, right?

Okay.

It's dropped in.

They're getting warm, AR.

Does that grab him?

Give me a bag for me.

Yeah.

Fingerprints on this stuff.

Let's wrap around.

Okay.

Thanks, Tim.

Okay.

No ticket, no password.

Hmm.

Call immigration in Chicago.

Have them wire Renning's passport applications.

I get a fingerprint check on Ross, huh?

Okay.

There are multiple gunshot wounds of the left side of the face, the left side of the neck, and about the left upper thorax.

These extend from the lateral extent of the left eye, and a portion of the left orbit has been lacerated, and aqueous humor protrudes from the laceration.

There have been deep lacerations in the immediate area, and these have been approximated by fine surgical sutures.

There are multiple surgical incisions about the left side of the face.

There is considerable hemorrhages in these deep tissues, and a number of surgical sutures are present about this area.

There are entrances into the sinuses, and several pellets are found located within this area.

There are also multiple lacerations and multiple gunshot entrance wounds about the left side of the neck, and similar wounds are found on the left upper thorax, period.

The lacerations extend deep into the orbits.

Yes. And a portion approaches the nasal phanx.

And there is an indwelling, soft, rubber catheter extending out through the lateral extent of the...

I understand that Captain Bennett told you had it until Monday morning to comply with my Rotabeas Corpus.

However, I want to sign to mission now that Ross died while he was in your custody.

When I'm ready.

Yes, sir.

Lieutenant, your photographs are coming through.

I'll be right up.

Thank you.

I demand that signed statement now.

Excuse me.

That the girl?

Yeah.

Ross.

Albert, Edward Rennick.

Used car salesman.

Chicago.

Who's Rennick?

He was a man who was shot at the Hotel Daniel.

He sent us to guard the wrong man, Mr. Chalmers.

The radio.

For certain reasons...

Mrs. Dorothy Rennick and Mr. Al Rennick have reservations on the 7:00 flight to Rome.

Separate tickets not confirmed.

And I got this report from Chicago.

Renick has no record of arrests.

He's clean, Frank.

Yeah, well, Ross took close to $2 million from the organization.

And he set Rennie Cup to get the heat off of him.

And he killed Rennick's wife to shut her up.

And that is the end of that 30 minutes, but we're going to the final, and the final 30 minutes are going to go very fast, because there is no dialogue, except for one couple little sentences, and it's all just them searching for Remick.

Okay, so this is all Renick, and Renick set all of this up, and the DA never actually saw Renick, or the prosecutor guy never actually saw Renick.

like he's not part of this, right?

He took advantage.

Yeah

No.

Rennick took advantage of the prosecutor because he's so ambitious and to help him to make the mob concentrate on the wrong guy.

Uh, who was just a car salesman who got surgically altered to look like Renick, and while the prosecutor was holding him and holding them for that amount of time, it was going to allow Renick to escape the country.

Yeah, so the guy got paid off to get done up to look like Rennick.

And he got he got a shit ton of money because they saw it in his in his bag.

So. Yeah.

It's I just, I always kind of was picturing that Robert Vaughn was somehow in on it, you know?

Like he's not just ambitious, like he's also getting like a little taste too.

No, I think he's just ambitious.

He wants this is a man who probably wants to be president someday.

This is how you make those things happen.

I love that his own ambition is what fucked him over and he got conned by a con.

Yep, exactly.

Exactly.

All right, we can move on, man.

All right.

Well, they, uh, we start the next 30 minutes.

They going to their airport.

going to get Rennick.

Uh, as they kind of go through the airport and everything and they're kind of trying to get to the plane.

They found out he took an earlier plane to London.

It's getting ready to take off.

They're able to get a hold of the control tower and the pilot to come back to the gate.

As it slowly comes back to the gate.

Calmer shows up and that is our final clip.

He's still my witness.

I'll be delighted to let you have him after he testifies tomorrow.

The organization, several murders, could do us both a great deal of good.

Look, Chalmers, let's understand.

other.

I don't like you.

Come on, now.

Don't be naive, Lieutenant.

We both know how careers are made.

Integrity is something you sell the public.

You sell whatever you want, but don't sell it here tonight.

Frank, we must all compromise.

Bullshit.

Get the hell out of here now.

Well, Commerce does just that, and the flight gets back to the gate, so, uh, Frank has his partner, watch the gate, and he's going to the plane.

As he's going through the plane.

Uh, Rennick.

Uh, um, actually, it's Ross.

I'm sorry.

So we, we confuse the names there.

Renick was the guy who was murdered.

Ross is the man who's the real the real guy.

He's the guy who was altered to look like Ross.

Yes. Yes.

All right.

So, uh, Ross, uh, notices what's happening right away.

He gets a plane door open, jumps down from the plane.

No idea how your knees survive that, but cool.

Um, good for you, I guess, homie.

And he starts running and Frank gives chase.

Uh, they chase all the way across the tarmacs, uh, with occasional shots being fired, and finally Ross gets back into the airport.

Uh, they, he runs about, uh, guns down a sheriff's deputy and turns around and Frank shoots him dead, uh, uh, Combers arrives, looks at the scene, leaves without saying a word.

Um, we cut to then early Monday morning and Bullet gets home and he finds Kathy is asleep in his bed, so she doesn't, hasn't left him.

Uh, he puts his gun and bullets on the banister, and he's washing his face, and as he does, he stares at himself in the mirror with the water running, and, uh, cuts to a close-up of the gun resting on the banister, then roll credits.

This podcast off to Messiah.

This show still fucking sucks.

Wow, man.

What a fucking movie.

Just a quick question for you.

Do you feel like maybe at the end there, he was possibly contemplating giving up something, whether it was the job or his own life?

Yes, that I believe I believe he's staring himself in the mirror because he's his girlfriend's words were ringing very true to him about how will this end for you?

Uh, we could tell from the beginning of this movie.

He's not sleeping at all.

Uh, he does not sleep.

There's a scene where he and his girlfriend are having pillow talk, but she was sleeping, wakes up and he's just laying there, eyes wide open.

So he can't sleep because probably because of the job.

Uh so I think he's got a deep complimentation of, but the job is all he knows.

He, the job is all he has, but it's also slowly killing him.

So I think it's a realization that either A, he will die soon, whether or the job kills him, or he doesn't himself, or he leaves the job, but again, that's leaving the only life he's ever known.

Yeah, yeah.

pretty much fucking nailed it.

My thought was, he's got the girl, and he was looking at the gun because if he didn't have the girl, it would have been the end.

Yeah, yeah. Therefore, he's like, okay, well, something has to change.

I like having her around way more than I like what this job makes me feel like.

So I'm done.

Like, I feel like this was it for him. Yeah, this is his last case, I think.

And he's going to quit the force and figure out something else to do.

Yeah, I agree.

I really, really dug this movie.

This was a real blast to watch.

It had the action, the mystery and thriller shit that you want in a total modern day action template, and it's here in 1968, right?

It's amazing.

Yep, and it, and it, a great twist in that the guy killed wasn't the guy at all. You know, I mean, it was a great job.

Yeah, the fact that they had to bring in a plastic surgeon and everything, it has like old school filmed the war at like little pieces to it and just pretty much everything you want in a cheese ball, cornball, really well done.

Unbelievable action thriller kind of film.

Yeah. It's just hip.

It's just fucking cool. and it stands the test of time because it was just being itself.

that's awesome.

Yeah, agreed.

All right.

Well, I think I'm done talking about this film. If you are, are you ready to call it quits on the episode then?

All right, so we're going to play the ending show housekeeping, which I have to change because I'm no longer on the social medias.

it says that I'm on it anymore.

Oh, yeah.

I got to delete mine.

Yeah, so, I mean, I need to fucking get that taken off of that and probably make a new show ending, but we'll see if I do.

And after I play that outdated show housekeeping, we'll come back with a song that will quite literally be created right before the editing is done.

And then we'll close out this fucking show.

If you've decided you can't get enough of the show and would like to check out more of it, we're available at legionpodcasts.com, just do a quick search for cinema Psyops, or just enter this entire URL into your browser, www.legionpodcasts.com forward slash cinema dash psyops dash podcast.

Also available along with all of the fellow Legioneers on the Legion Discord chat.

And now let's give you a rundown of the memes and how you're going to get them through Cinema Psyops.

The easiest place to go is to subscribe to our Instagram feed, which is our main meme repository at cinema underscore Psyops, or you could also follow the Facebook page of cinema Psyops because they are immediately posted there after they get posted to the Instagram repository.

And you can also check out the Facebook group of cinema style, send the memes are shared there.

I am available on Facebook as cort sciops because the memes are also shared there as well.

Thanks for listening to the show.

I still can't believe that you're subscribed to us or here every week, just like us.

In the shadows where secrets hide Johnny's past the tangled rides on a Friday Wednesday time meets his brother a bleeding time.

In the city.

Where Cyrus wail.

Witness Bates.

Hey, ghostly trail.

Bullets eyes on the game he plays.

Chasing shadows through the haze.

Charmer schemes with dreams of power Each corner holds a danger flower.

As the clock ticks for fate unwinds.

A race against time.

Leaving truth behind.

In the city, where sirens wail.

Witness face

Hey, ghostly trail.

Bullets, eyes on the game he plays.

Chasing shadows Through the haze

Well, that was a song that was created in that it should be talking about the plot line of the film for Bullet.

Hopefully it gets it right.

Hopefully everything rhymes and hopefully the words aren't gibberish.

I'm sure it will.

Well, considering that just about every word out of our mouth is gibberish.

I don't know what I expect from the music.

Oh, I mean, listen, gibberish is being kind.

Well, as we said, I'm trying to be more kind because I find it really creeps people out when I am.

Right?

Yeah.

I mean, be...

I mean, gibberish is, I mean, that's almost slandering, gibberish at this point.

That's absolutely true. While you're out there trying to figure out exactly what Matt meant by slandering gibberish.

Kick the fuck out of this weekend, make it your bitch.

Let me go ahead and do the count in for the intro, and we'll have to get this done as quickly as we can.

Yep. Yeah, sorry.

My sister called and shit's just going bad with my parents.

Family stuff is issues that you got to resolve.

I totally get it.

No worries, my man.

Having aging people sucks.

Getting old sucks.

All of the above, just being alive is like an exercise and sucks, so let's go and have some fun and forget that for a minute.

fucking do it.

All right, three, two, one.

Fucking weird.

Yeah.

Yeah, we're losing our shit.

Okay.

Three, two, one.

Lason, he brings him up and the guy's sleeping.

The guy sleeping is, of course, whoa, hold on.

I don't know where that came from.

My apologies.

Did you hear that?

No.

Okay.

For some reason, something, hold on.

Maybe a tree exploded.

No, no, it was it was just sound.

It was like weird ass shit.

Never mind.

All right, we're fine.

It was only on my end and it didn't ruin the show.

So anyway. Oh, dude, how stoned am I?

I'm talking about Tom through your computer. Captain Bennett's and guess how loud it was, but it wasn't.

As you know, there's a kind of, I don't know, man.

trying to get drunk over here.

Yeah, if that's the case, then I'm going to get moving on these clips because we're running out of time.

Ross is safer here.

He's there now. We'll get to see a lot of guys.

This is the whole setup, having the court done.

Yeah.

Hotel's Daniel's trip.

Danny Coffee, huh?

All right, this is the end of the club.

Clip one, cort, three, two, one.

I thought that the money didn't matter to artists.

It cost money to have us home.

This one's short.

Friction loss of water and keep her 100 feet, length of pipe formula, using constant one.

Literally just because there's, you know, fucking dialogue.

We use 600 gallons of water.

Literally recording...

What was the velocity of a 5 inch pipe?

Yeah, like the 15 second clips.

It'll last.

Like 3 words, record it.

I swear.

Record it.

Yeah.

Up to the extreme right.

They prefer to be called the far right.

They do fine 600.

Got it.

Now go across until you find the 5 inch pipe column.

Like I said, the far right.

Yeah.

Mule team six.

Now I want the loss in feet.

Three feet, huh?

You missed the reference to the five inch pipe.

Well?

Nice.

That's still average.

So that's giving them credit.

Yeah, I mean, that's massive for a mega man.

His job is his whole life, and that's it.

Yeah, yeah.

Uh, so, uh, uh, sorry.

On my obvious to the night staff... Don't get out of here, Mr. John. I've got a...

Captain Baker.

Oh, I forgot.

That's like a fighting anthem for one of your teams.

Oh, yeah, for the badgers.

Yep.

All right.

jump up and get down.

Clip number 8 is out.

Three, two, one.

There wasn't much life. Like this?

You know?

No, it's good for.

I was trying to explain.

People why we don't have guests anymore.

I'm like, you don't know the chaos that Matt and I have done to keep this show going.

The sheer insanity of, no, we got to get this going, man.

I was like, I don't want put anybody else through that.

No, no, no, man.

We run we run ragged around here.

And yeah, we put anybody else through that, they will not like us anymore.

Clip number 9 is down.

Three, two, one.

Clip number 10, I guess, is going to be a pain in the ass.

Three. Sorry.

I don't believe I've had to play.

I guess it's only 6 weeks, man.

I was editing a whole bunch of shit down there.

Like 12, 13 minutes of screen time down to like 6 minutes of clips.

Yeah. In vanish that point.

Because there's no full analog, man.

Oh, no, yeah, fantasy point, man.

There was nothing.

Oh, was an easy watch.

I'll try.

All right.

Clip number. Thanks, Frank.

Fangled rides on a Friday Wednesday side.

meets his brother up bleeding tide.

In the city where Cyrus whale.

Witness space

Hey, ghostly trail.

Pull his eyes On the game he plays.

Chasing shadows Through the haze

Charmer schemes with dreams of power.

Each corner holds a danger flower.

As the clock ticks for fate, unwind.

A race against time.

Leaving true behind.

In the city, where sirens wail.

That's almost slandering gibberish at this point.

It's absolutely true

While you're out there trying to figure out exactly what Matt meant by slandering gibberish.

Kick the fuck out of this weekend, make it your bitch.

That was so dumb.

I know. Jesus Christ.