Cinema_PSYOPS_EP487: Giant Monsters FSU: Rodan (1956) (Main Feed)

There is very little time or point in an explanation. To be blunt,

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Operational time in the dimensional continuum where the beings

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10 years. Man 10.

10 years.

10 years Man 10 years. 10 years.

10. 10 years. 10 years.

What is the most likely way humanity. Will be wiped out? Maybe it's something.

Or us. Although the way the world ends might be because of

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The global temperature rise underscores a chilling reality.

Our planet is trying to tell us. Something, but we don't seem to

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On top of the initial flash of thermonuclear light,

which is 180 million degrees. Which catches every everything on fire

in a nine mile diameter radius. On top of the bulldozing

effect of the wind, all the buildings coming down, and more fires

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A breathtaking scientific revolution is taking place.

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Solving the deadliest diseases while also creating viruses

more dangerous than nuclear bombs, able to devastate humanity.

It's man returning to the most primal,

violent state as people fight over the tiny

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Computer game you are playing right now. Now when it ends, you would be

what causes the end of the world. Please do us all a favor.

Continue dreaming or playing this game of life. Because when you wake

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existence. Timelines across the entire continuum

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10 years. Hello and

welcome to the 487th consecutive week of Cinema Psyops.

I'm your host, Kurt the guy coming to you Live with a hemp derived

legal high. And joining me all the way via the anaerositer.

And this call is my co host, Matt. We're on the inner webs.

Yeah, we are using the interwebs to communicate and talk about movies because I

can't stand to physically be in your presence for longer than a few.

Damn, now you're sounding like my wife again. You know, people really

start a club that everybody

hates. Matt. Club Fucking A. It's in full effect to

your. I'll get more to that in my story time. Do I

have a story time for you tonight. Oh boy. That's a

little saucy, folks. And this week we're talking about Rodan on

our giant monsters Fucking shit up. Now do you want to save it for

the actual review? Because I'm just going to make a statement that I think you

may or may not agree with. All right, go ahead. Some Monst movies suffer

from the same syndrome as the Boris Karloff the

Mummy in that it's a really cool set of effects.

There's a lot of really neat ideas, but it's hung around the same

storyline as Dracula. And Rodan is

pretty much that with unfortunately the Godzilla movie and a little bit of

a taste of some of the King Kong stuff, but not as much. And it

kind of suffers from that a little bit story wise. A little bit. But the

one thing that saves it is it doesn't bog you down

with too much story. Its runtime is shorter,

which is what I really enjoyed about it is you got a story with it

and yes, same thing as Godzilla, nuclear tests,

mining, you know, man raping the planet

and of its resources wakes up ancient

beasts and they attack.

Which fine, okay, yeah, it's the same thing. But they get

right to it in this movie. There is not a dull moment in this movie.

They are on it right away. I also want to point out that we

watched the English language cut of this. This. This is from a DVD that

I had. Rodan is a really hard film to get your hands on these days.

I just so happen to have a multi DVD set that I bought ages

ago that had this in it and otherwise we probably would have had to skip

this like we did Varan. Nice. Varan is a movie that

is like another one of these giant monsters fucking shit up movies.

It takes place between this one and next week's movie which is going to be

Mothra. Varan doesn't really show up a lot other than

that one movie. And it is extremely hard to get your hands on.

And I only have, like a VHS rip copy of it,

and we're just not doing that. We're not covering the movie just to cover it

on a VHS rip. Rodan was hard enough to see as is from the DVD

rip. True, but still entirely

enjoyable film for me. Right. The fact that it's 72

odd minutes really does help because you get in and get out relatively quick.

The film does tend to meander a little bit before the monster action happens,

but once the monster action happens, it just does not let up. You're right there.

Yeah. But, yeah, you're going to town. And that's the same thing like

I was getting at with the Mummy with Boris Karloff. I mean,

it's basically just trying to do Dracula again, only with, like,

Egyptian characters. And other than some really

kick ass, amazing special effects that make Boris Karloff look like the Mummy,

the film's kind of hard to deal with, I feel,

or at least I felt the same way about Rodin for a long time.

So you coming in with a fresh perspective on this is going to kind of

be an interesting episode, I think. There you go. Yeah. And again, short movie,

short episode. We'll do what we can. Uh, and I even shortened your clips,

so sorry. Yeah, we're gonna have a short show. No matter what. A short

show. But, you know, at least there's a story time, a good, good story time

to get into this. Wow. I am definitely curious. So we're gonna go ahead and

play the Legion Patreon ad so we can get moving on to the coverage of

the film and the story time. And this week on the pirate radio edit,

released in the same year as Rodin, 1956.

All songs that were popular in that time frame, one of which is by Fats

Domino, the song Blueberry Hill. Immediately following this on the pirate radio edit.

This will keep you quiet. Oh, hi there. I didn't see.

What are you doing? Oh, dude. Isn't this awesome?

I just built a tachyon destroyer, Mikey,

on behavior. Tachyon destroyer. You know what a tachyon destroyer

is, right? Well, of course I know what a tachyon destroyer is,

but I don't think Courtbot knows, so maybe you should

explain it to him and I'll just hang back here and listen.

Shut up. Go ahead, Court. Okay, so this is basically what it does, right?

I use tachyon particles to destroy anything I throw into this

vortex. And anything that I toss into this vortex, I bombard it,

the tachyon particles and obliterate it. From a complete timeline, it's like

it never existed. That sounds really irresponsible. Well, yeah,

but how else am I supposed to get rid of garbage? I guess. Yeah.

What is. What are you throwing in there right now? I've got Beastmaster 2.

Do you want to chuck this one? Yeah. All right. That sounds like fun.

Yeah, It's a VHS tape I don't need anymore. I dubbed it and now I

have a digital copy. Not a big deal. What is that? Gator? Yeah.

Yeah, Again, I have a digital copy. Don't need it anymore. Got a full

Blu Ray of Gator, even though it's Burt Reynolds on vhs. Yeah,

I mean, the mustache alone, dude. Did you bring it? A handwritten description

of what this movie is on the top? Yeah, I copied it from the box.

But why? Because how else are you going to know what the film's about without

it written on there? But you're just throwing it away. Well, now. But I used

to own this back in the day. That's when I wrote it.

Okay, but that white lightning. Yeah, again, you know, I have a digital copy.

Don't need it anymore. So right in. There it goes. Yeah, the mustache

really comes through on the digital copies. Oh, yeah. Burt Reynolds in high definition is

much better. Although you're probably not seeing white lightning, because guess what? No mustache.

Okay, I haven't seen wet lately. Dude, whatever you do, do not put your arm

in there. It will be. Oh, all right.

Mat Bot. Oh, that was my jerking arm. Matt bot, do me

a favor. I did a lot of things with that arm. Matt bot, can we

get the clone juice again? We got to rebuild him another arm.

Yes, master. Of course. God damn it. Did you

have to explain to him what Attack in Destroyer was? Of course.

He's a idiot. And he tried to blame it on Hordebot. I predicted this

much. I heard that, you miserable robot. So.

I just love that. Set against the backdrop of American culture of

the time, all of these, like, sweet, saccharine songs that are, like, upbeat and

happy and some of the best times that America has.

We have these movies coming out of Japan where they're like, these nuclear superpowers

are bent on destroying all of us for the gain of their own power and

profit. And to be this undying beast that is

holding these nuclear powers. And it's a stark contrast to the view

on how things went in this era.

Yeah, exactly. But,

hey, we're all having fun. Yeah. But let's talk some more about giant monsters

fucking shit up with Rodan. Rodan. All right,

well, we start the first 20 minutes. We're opening with some narration,

so what the hell. That's our first clip. This story begins

in the faraway Pacific on a tiny island atoll miles

away from inhabited land and used for testing the atomic

and hydrogen bomb. Inside an unimposing looking shelter such

as this is housed the mightiest weapon of destruction known to man.

Strategy teams composed of the finest military and scientific minds

are finalizing their plans for mission gigantic. The explosion of

this new 20th century weapon. The most complicated and

sensitive instruments yet devised are brought into play for this all important

mission. And now, on a battleship in the remote Pacific, from which all shipping

has been banned, the moment of command approaches.

The seconds are running out. Minus 15 seconds.

Minus 10 seconds. Niner,

eight, seven, six,

fiver, four, three,

two, one. T0.

And there you see it. The explosion of the mighty hydrogen bomb.

Buildings disintegrate, Concrete is reduced to powder.

Steel vaporizes. Solids turn liquid and liquids

change into gas. Destruction is total and complete.

And then the downward shock wave. Like some gigantic and murderous

hammer pulverizing all that remains. The shock is

recorded 10,000 miles away as the angry

mushroom cloud advances toward the stratosphere. On another

portion of the globe, the Air Force is engaged in the testing of a second

bomb, even mightier than the Navy tested bomb. The bomb

bay doors are open. The bomb is in position.

Target a clustered semicircle of modern battleships.

If all calculations are correct, in less than two minutes there

will be no ships at all. Below, nothing but boiling sea

and the sullen fire filled sky.

4, 3, 2, 1.

Fire on

target. The kill is complete. But what have these tests done

to Mother Earth? Can the human race continue to deliver these

staggering blows without arousing somewhere in the depths of Earth a

reaction, a counter attack, a horror still undreamed of?

There are persons in the Japanese islands who believe that the horror has

already been seen. What is the aftermath? This is the story

of such an aftermath. These are the green volcanic mountains of

Kyushu, the southernmost of Japan's great island

provinces. Here, except when I went away to school, I have

lived all my life. My name is Shigeru, and this is the

village of Kitamatsu, where I was born. Kitamatsu is a mining

community. Almost all of us who live here are dependent upon the

mines for our livelihood. It was in our Kitamatsu minds

that an unusual horror began.

On a day that started much like any other day,

with the men coming to work as always, and the roll call as

always, and everything normal. Yet somehow you

knew it wasn't normal. There was a feeling of uneasiness

in the air. This film is laid out or set up pretty much like the

journal entries in World War Z that you read. So I can see why you

enjoyed this that much, because you really enjoy that particular

style of storytelling. I think I do enjoy a good documentary.

Yeah. It's laid out almost as though they're telling you the story as

you're seeing it again, as if it's a documentary. But it's not quite Frank Byrne's

style of documentary. It's still like. No, it's still a little bit more hip,

the way that it's laid out. A little more hip, a little more

with it. You're actually seeing what's happening. They're just explaining everything to you

so that they don't have to go back and redub it, essentially.

Yeah. Yeah, exactly. All right,

so there's a scuffle between a couple of the miners.

The fight is broken up. And this leads to our next clip.

This is the third time this month. Once more. And you're through. See for

good. You'll both be through. This is my last warning.

Goro. I had known Goro for a long while. His sister

and I were planning to be married. It wasn't like him to fight on the

job. It was just another example of that strange tension that

was affecting us all. Each time the men boarded the trams,

you could almost see it working in them. Goro and the others

suddenly seemed afraid of the darkness. One thing that disturbed

them was the fact that Number eight Mine was going too far.

Deeper than any vein they had ever worked. It was becoming dangerous

on this deep level. The floor had lately been creeping.

I analyzed the problem in the drafting room, and we knew that

a creeping floor occurs when too much coal has been

removed from between two strata of rock. We had to take up

the pressure. Mr. Suda, my chief, came into the office. He seemed

calm enough, but he was as anxious as we were to get the problem

solved. But it was no easy job.

Hello? Shigeru. What? My ache. Don't go beyond

that point without me unless you are sure.

Two meters of water. Shaft 8. Hmm, that's strange. Last time

we tested the mine, there was no water. Maybe that creeping floor.

I'm going below. Yeah. So the dub's a little problematic to listen

to without it being in the movie, isn't it? Yeah. Yeah. When you. When you're

listening to it without the movie, it doesn't sound all that great.

Something feels definitely off about the accents that they're throwing in

with the English language. Dub Happens next week. Week in Mothran is

a little bit more uncomfortable. Actually. This is the one

that I knew we were going to have to ready ourselves

to experience. Was this. These dubs

when we finally got to the English speaking movies. Because yeah,

they were always. They're always problematic. Not all of them,

but often several of them absolutely are. Some of

the preferred dubs that are out there are less of

an issue. And the later movies we run into, like in the

90s and things, it'll just be a straight up dub and it'll be. It'll be

fine. So. All right. Well, we hear there's a flood

in the mine. And they get some men together to go check it out.

They find Yoshi dead and he's hacked to death. In our next

clip. Yoshi was dead when they carried him

from the mine. But he didn't die from drowning.

He had been killed. More than killed. He had been

slaughtered like an animal. Even in death

there was a look of horror on his face. As if in those last moments

he had seen something dreadful and terrible beyond words.

We were all stunned.

What killed him, Doctor? It's hard to

say. Most unusual. But it was not an accident.

I don't know what weapon could cause such ugly wounds. But maybe

the autopsy will tell us. Ah, you have called the police?

Yes, but I must go in. Yoshi. My husband. I must

see. I want to see my husband. Oh,

dammit. Believe me, you must not go in.

I'm sure it's Goro's fault. She's a widow. Wait.

How do you know he did it? Go on, prove it. You can think what

you want to. Goro did it. Till it

is proved. You'll say no more about it. It's easy enough to understand you,

Shigeru. You're in love with his sister. K. That's enough.

You'll both say no more about it. That's some serious talking going on there.

Yeah, right. Anyway,

Shigeru goes outside. Consol, Goro's sister and

of course his love interest. Then they have a roll call and

Original is missing. A cop and two other miners go

looking in the mine. They tie themselves together as they go through the water.

One of the miners gets dragged down. The cop goes down with him. The other

miner is able to cut himself loose. He tries to go and get

help. But then he is cornered by some sort of creature

and it comes after him. The Brodies are brought back. All three are also

disfigured and dead. A doctor is brought in and this

leads to our next clip. This is Dr. Tanaka, gentlemen.

How do you do, doctor. Well, well, doctor, what is it?

Please tell us. Yes,

gentlemen, those four bodies bore a maniacs,

mutilations and bruises. Yet two of these men died not from their

wounds only, but shock. To produce such wounds requires

great power. The weapon. I cannot answer that question.

This will cause a real scare in the village now. It's sure to. I will

deputize more guards at once. I'm not 100% positive,

but I am pretty sure I hear Paul Free's voice in there. He's a pretty

famous voice actor who did like a lot of animated

movies and TV shows and things like that. I mean like. Like including Rocky

and Bullwinkle. You know, he was like the announcer voice. Oh yeah.

You can kind of hear him in a lot of which

he is not of any kind of Asian descent. So the

accent that's being done by him in this I'm going to say is a bit

racist. It's definitely a bit racist. Different time. So it

wasn't considered racist then even though it is now.

Yeah, it's. It's definitely racially insensitive. Regardless of what you want

to consider it. Yes, there you go. That's a definite. Yeah.

At the very minimum, it is racially insensitive. Bare minimum.

At best it's racially insensitive.

So we cut to. The women are chasing Goro's

wife out of the village because he's a murderer or

they think he's a murderer. Shigeru Comfor Kurtz, Girl's sister

who just wants to leave and get out. Then he's even

suggesting she should leave. And then they can meet up later together

because it would be safer for her. And then as he's comforting her,

a giant damn monster shows up right at their door.

They're able. It tries to attack them. They're able to escape it and

get authorities and right as you think, oh, it's gonna be one of those scenes

where the creature's gone and the authorities are gonna think they're like nuts and

stuff. That is not what happened. At the least.

They find the monster and they fight it. It kills a few more

men, they chase it up a mountain and they're able to drive it away.

Shigeru and some men, he wants to find Girl's body and the

authorities want to hunt the monsters or the monster. And that's

the end of that 20 minutes. I forget. Were there like some kind of bug

monsters or something like that? Yeah, it looks like almost

like a giant centipede, just not as Long. Yeah,

it's. Yeah. Okay, so those are like, sort of like

the trilobite things that were showing up with Godzilla. Yeah, these.

It's what's going to end up laying the egg to Rodan.

Yeah, Just some weird fucked up thing that just shows up there.

But it lays an egg and then somehow becomes a pterodactyl.

Yeah. That they consider Rodan. Yeah. These.

Rodan. Because that's not the name of the creature. That's because it's the

name of the species. What they call them a Rodan. Yes. Rodan is

a species. And a single version of that is just Rodan.

It's literally like when Godzilla shows up, they call it Godzilla, which is the species

of thing. So every time. Every time a new

version of Godzilla comes up, they just keep calling it Godzilla.

Now often. Exactly. Often it's the same Godzilla. Like for instance,

Godzilla raids again and I think the Godzilla that shows up in the next Godzilla

film are like the same Godzilla, right? Yeah. Not 100% sure on

that, but I'm pretty sure that they are. And then like, you know, it's the

same Godzilla for a little while and then they do a reboot or whatever and

then we're going to do a reset and we have to figure out what timeline

we're in and where it kind of really starts from and all of that.

That happens later in later Godzilla movies. We won't worry about that now. That's.

That's fine. I don't mean to scare everybody with that.

It'll be fine when we get there. Don't worry about it. Yeah, we're all going

to be okay. Yeah. But importantly, the thing

is, all of these species are only referred to as by their name of species.

It's like having a pet cat named Cat, a pet dog named dog,

and a pet fish named Fish. Yeah, exactly. So you have your giant monster

that fucks shit up and you don't bother to name it anything further than,

oh, that's a Rodan, that's a Rodan. That's a creature. That's a whatever.

Right. And you're lucky that you only get usually one

of the time of them. But in this case, you need

a dueling set of Rodin's just for reasons.

Exactly. These are truth facts. I just want you to know that in the future,

these centipede looking things that lay the eggs that make a Rodin

not really a thing. Yeah.

Like this is kind of the only time that we see this happen. And I'm

not exactly sure how that Works in the Tales of Rodin's.

Because I'm pretty sure that Rodin's just lay eggs for more Rodin's themselves now,

and they skip the centipede stage. Yeah, yeah. We don't see the centipedes

no more. Now just get Rodin's after this movie.

Right? I don't need a Rodin to be as complex and

like, organically speaking, on how its life cycle

and reproductive cycle works. I don't need it to be as complex

as the Graboids are or end up being by like the third film when you

have like Ass Blasters and a bunch of other different variations that they keep mutating

into. Exactly. I was like, come on,

guys. Can we not have this creature be this complex,

please? We're just trying to have fun here. Can we not have a centipede

that lays an egg that becomes a pterodactyl? Can we just not. Can we just

agree not to do that again? Yeah, exactly.

We can move on. I just wanted to make sure that we're all in accordance

there. We're all on the same page. If you're not.

If you like the idea of a centipede that lays an egg that then becomes

a pterodactyl, I guess hit us up and plead your case.

Because otherwise we're just going to move on without you.

Exactly the next 20. Well, the monster attacks

them in the mine. Shigeru kills one of the beetle monster

or one of those little monsters with a minec cart. They go looking for Girl's

body. But another one of those things exists and it tries to kill him.

During the fight, the entire mine collapses,

trapping Shigeru. We cut to a crew,

discussing when they can continue searching the mine. They think, one more

day for things to settle down. Then there's an earthquake and more of the mine

collapses. They find the areas where the mine was

or where the earthquake started. And they go to,

you know, investigate. And they find Shigeru just stumbling about.

And this leads to our next clip. He does not know us. A total

loss of memory, huh? Sedative. Shigeru. Look at

me. Don't you know who I am? Shigeru. It's Mr.

Osaki. Shigeru. Go to him.

Shigeru. Surely you know me. You must. It's Kigerasa.

Amesia can be difficult. I'll start treatment

at once. Take him to his room. Careful,

careful. Gently now,

gently. Try again. What is your

name? Take a deep breath.

Raise your bandaged arm. Name the girl you love. And so,

the monster that Came from the Mind is actually a species of

prehistoric insect that once roamed the Earth. We may know

someday if its secret of survival will help mankind.

Can you take it from the mind? I'm sure we can. Good. In our

eyes, it's a destructive creature, but it's also an

opportunity to study the primitive life.

Fucking scientists in these movies are always like, look, I know this really sucks,

but we also have a species that we can now study that we've never been

able to study before. So that's kind of a good thing. Yeah.

Listen, they're always looking for a silver lining, all right?

Yes. But think of all the things we can learn from it as it slowly

annihilates us off the planet. Yes, as it destroys us.

But it's okay. Yeah, because everyone's getting so uppity

about this. Yeah, we could study it. We could. It's fine. We could study it

and we'll learn some things as it kills us. It'll be cool. Yeah, it'll be

fine. I don't know. I don't know why you guys are continuously getting mad about

this. All right,

let's see here. All right. So they try and

make Shigeru remember his life, but he's not. Then we always Uncut

to jets are scrambling. Apparently, there's a UFO out and about.

Trap lead at supersonic spot speeds. The jets pursue

it, but the UFO is able to destroy the jets.

The Air Force discusses this event in our next clip.

What did it? It's impossible.

He was obviously attacked by something. But it's also incredible.

Whoever heard of maneuvering at that speed? Well, something must have.

We both heard the pilot's report. Performing loops,

making vertical climbed. And don't forget, it reversed its

direction at supersonic speed. Kitahara must have gone mad.

No, I don't think so. He was one of our most reliable pilots.

Hello? Yes. Yes, he's here. I. It's for you.

Thanks. Hello, Iseki speaking.

Oh, when did it happen? So, how many? No,

nothing new to report here. Okay, be right back. British CARGO Plane DESTROYED

Yellow Sea no SURVIVORS the entire Pacific area is alarmed

by this supersonic maniac that is attacking anything that flies.

Because of this unidentified object, the military high command in

Tokyo has just issued an order canceling all air

travel. Hundreds of eyewitnesses have observed this fantastic

object, but always at such high altitudes and incredible speeds as to make

an accurate description impossible. Over a dozen cities have sounded air

raid alerts at its approach. Peking, the capital city of China,

was stunned this morning by a sonic Blast that struck with the power

of a subatomic explosion.

A small village north of the city was leveled. Source of the

sonic blast was the ufo. Air travel

between Chinese cities has been suspended pending investigation of the

mystery. Air Force pilots have orders to open fire

at sight upon any ufo.

Manila, Philippines. A government patrol boat capsized and

sank today off Manilao when an unidentified object,

believed to be the UFO Div. Into the sea beside it.

Because of the great distances between appearances of the ufo,

authorities are convinced there is more than one reported

over Rangoon at 10:17, over Singapore at 10:32.

And here's a bulletin just coming in from Wake Island. United States

radar specialists have joined in the relentless pursuit of the unknown

invader. Captain John Hughes, United States Air

Force, was killed this morning while engaged in the pursuit of an unidentified

flying object. His supersonic pursuit ship,

caught in a slipstream of hurricane proportions,

disintegrated in midair. Wake island radar

screens track the UFO westward in the direction of the Japanese

islands. The whole world is on

guard, wondering what the terrible consequences may

be. And now, here in Kyushu, we have our problem.

Mount Toya volcano, so long inactive, is once

again growling and threatening the people with eruption. Chief Nishimura.

Oh, Harold Sunakawa. What's that? Oh, the volcano

offering. I understand we block off

the road. Yes, yes, right away. Thank you for the information. I'll give you 2

to 1 odds. If Maltoya is in any danger of erupting,

people will go there. Yeah. So a couple. They actually could,

you know. Foreshadowing. This couple goes and to

go to the volcano and take pictures. And then the flying creature

kills them. There's an investigation over their death in our next clip.

No, not suicide. They were too happy.

From the position of the camera and the shoe,

it looks as though they might have been running. That's right. From something

that was strong enough to carry both of them away.

Excuse me, sir. These men report three cows stolen

last night. We went to the field to bring them home, but they were nowhere

to be found. The negatives. Thank you. Oh,

Toji. You go take care of the two men. Yes, sir.

Izaki. The film from their camera has just been developed.

There they are. They look happy enough to me.

What the devil is that? Make an enlargement immediately. Professor Kashiwaki

ought to be interested in this. Looks like a bird. It must be

the wing of a plane. A bird that big?

Could it fly? Professor, we have a fire

on transitional saurian forms. Yes. Get the one for

the Mesozoic and carboniferous period. This is the Pterosauria.

That's right. All right. So then Kyo shows

Shigeru like some birds are hatching. She wants him to see.

And then he remembers seeing one of the stumbling about the

mine, seeing the monsters protecting an egg.

And in that egg coming out was a winged creature

which shocked and scared him to the point where he was just like,

nope. And just kind of stumbled away. And how he lost his memory seeing

the wind creature being hacked. Then he gets his memory back and

meets with others. And that is our next clip.

Your memory has returned to you Many

monsters. Shigeru's coming through. Yes. Yes. This is most

like it. What I saw in the cave was just coming

out of its shell. Are you sure?

Shigeru, you say this ate the giant insects

in the mine? Yes. Most sickening sight. I'll go

back with you. If there are other eggs, they must all be destroyed.

We'll all go. The shaft of mine number

eight led to the cavern where I believed I had seen that monk Monstrous

Egg break open. I felt unsure, tortured with

doubt. Was it shock that did these curious things to my

mind? Slowly,

relentlessly, we pressed on. We felt we were entering

a giant grave. How much of it did I dream?

How much of it did I imagine? One thing I

did know. There was no doubt about the existence of

those gigantic, gigantic insects which had slashed so many of

my friends to death. My colleagues agreed we could

not stop now. There was no turning back.

We acted as a group, but individually we were afraid.

Yes, fear. It was inside the minds and hearts of

all the men. Fear of something we couldn't see.

The bats in the dark underground added to the eerie apartment

atmosphere. The awful stillness gave us a shudder.

But we continued on and on. We had to

find out. Even though the answer might be death to us all.

We felt hemmed in, confined deep in the

bowels of the earth. We could feel the strange echo

of our footsteps as we kept on. No one of us daring to say a

word. Single file we walked, all of us

searching, searching. We were seeking a monster.

A monster who had been hatched from an egg.

How could prehistoric monsters stir from their long death

to move about upon the earth again? The only answer

to that could be that they never really died.

They only slept. We had dug too deeply for

our core and awakened them to destroy us all.

We looked around. I could remember the smell of

the thing. A cool, an evil smell that

sent your flesh crawling. It was there,

I tell you. That's the spot over there. Then what happened?

Somewhere There ought to be some sort of shell. Yeah,

well, now. Might be buried by a rock slide over

there. Nashiwagi, come here.

Look at this. A piece of shell. This is shell.

Sure it is.

Come out of there, quick.

Here's the carbon 14 report. Yes, more than 20 million

years old. Chief element calcium. Aha. It's eggshell,

all right. The microscope shows it's reptilian. Go see for yourself.

Yes. The cell structure is extremely primitive. Late Cretaceous

period learning. Now, faced with measuring the egg, this parabolic section will

determine its precise size.

Now, according to our electronic computer, this object you call an egg

has a total volume of more than 100,000 cubic feet.

Hard to believe. Tell me, if the egg itself has those dimensions,

how big is a reptile when it's full grown? I'm not sure.

It may have been full grown when attached. It obviously took to the air

right away. A flying object. Uh huh. Exactly.

Will you excuse me? After study of all the relevant data, I can

now state that the unidentified flying object is a giant

flying reptile, closely related to the extinct Pteranodon. So far,

here are the data we have gathered for you. Its weight is over 100 tons,

and it has a wingspread of perhaps 500ft.

Because of its size and supersonic flying speed,

it generates a shockwave with all the destructive force

of a typhoon. Just one thing more. Although related to the Pteranodon,

this creature is a carnivorous reptile and belongs to a species called

Rodan. Doctor, a question. Of course. If this thing you call

Rodan is extinct, how come it is still alive?

That's a good question. But we can only advance theory so far.

So I'll advance the theory of my own. Millions of years ago, this egg was

hermetically sealed. It was buried by a volcanic eruption,

perpetuating the GE of life until atomic explosions fractured

the Earth's crust, emitting air and water. Then the warm water

caused the egg to hatch. Ah, that's right. That also explains the giant

insects. Doctor, the Air Force has the practical job of destroying

Rodan. Where do we find him? He hatched in a cavern near the Osaki

mines and surfaced somewhere near the volcano. They joined underground.

Commander, I therefore recommend an air search of this section between the mine area

here and the volcano. Okay, so that clears it up. Those of you that may

have been getting excited at the idea of a creature that was

some kind of centipede larvae that then transforms into a Rodan,

that absolutely did not happen. Because it was something called a dragonfly

nymph. That was Existing around the same time. And the

we now know for sure the Rodan egg is a reptile egg that was also

deposited there and left inactive until they fucked around with mining

and warmed that shit up and caused it to hatch. So they fucked around

and then they. Found out, which is pretty much what the human race is apt.

And unfortunately we're in the find out stage of a lot of fucking around stages.

That's pretty much what we've always done.

Yeah. When we're in the find out stage for the fucking around stages that we

had previously. Yep. That's by the way, the end of that 20

minutes before we go into what will be the final 30. Yeah. So just

to reiterate, I didn't pay a shit ton of

attention when I was watching this to the bug creatures and I was pretty sure

that they weren't dropping eggs that were Rodan. So I was going with Matt on

this because you did the notes and that was a mistake that ma.

Matt now admits that he may be close. I fully admit

I thought maybe they birded the Rodan shit.

I am really, really grateful that Rodin's reproductive cycle is

nowhere near as complex as the Precambrian beings

from the Tremor series. I really am. Yeah, I'm very grateful for that.

It's not that difficult. Yeah, it's just pretty much reptile egg left there

from who knows how. Got heated up because man fucked around and finding

out made Rodin's hatch. Yeah. And now we're all having

fun. Oh, we're about to find out what happens when you

around. Yeah, yeah, yeah. We are almost in the find out phase

of life here and the movie. So let's move on. Yeah. All right.

The final 30. Well, they go looking for Rodan and they find Rodan.

There's a major attack happening, but then a second Rodan

shows up that they figure is that the other Rodan's

mate? Lots of destruction here.

This is just your classic monster movie destruction.

Time cities are attacked, blown away,

you know, because they're supersonic speeds are causing. Causing them

to blow, get blown away and shit like that. So it's important,

just your classic monster movie stuff. It's important to note that the

buildings don't necessarily buckle, but windows blow out and things

definitely get a little bit warped when they're flying past. Cars fucking go

up and all over the place and. Yeah, I'm just pointing that out

because Mothra is a little bit even more powerful than Rodan next week.

I just wanted to point that out. Gotcha. We can

move on. All right. Well, after all this destruction and all the attacks.

We cut to our next clip. Hundreds dead,

the city in flames. And nothing will kill them. The Rodans did

this. Escaped. Escaped to your water.

They've left two cities burning. If they're not killed,

they'll take over the earth. Our reconnaissance planes haven't

seen either Rodan for over a week. Isn't it possible that they're

back on underground? Yes, Everything leads to

that conclusion. Will you explain that, Doctor? Yes.

These Rodans are reptiles. A member of

the snake family. After they gorge on food,

human or otherwise, they'll hibernate a long,

long time. This is the battle area. Here the tanks will shell

the crater, closing the volcanic exit. At the same time,

ballistic missiles will bombard this area and seal off the opening

where they escape before buried them alive. In my opinion,

the plan is too dangerous. Montoya can erupt. Well,

that's better than two flying reptiles. I disagree with you. We can

kill the Rodans and die in the volcanic eruptions. It's our only chance.

No, much too dangerous. So, Nakawa, the Rodans are hibernating.

Is there a better time to bury them? No. But think of the people,

the women, the children. So, Nakawa, surely you don't think we will

forget them? They will be moved to safety. Why? The Rodans are far more menacing

to the people. The crater must be bombed. We shall evacuate the village

of Kitamatsu and proceed with Operation Rodan. That's so up

for the greater good. They're gonna sacrifice a village near this volcano in case it

goes off. Because it's just worth it. Because it's easier than just dealing with the

creatures that they around and woke up. Well, I mean, that is true,

but unfortunately, when you're in the find out phase

of around necessary losses are happening.

Because I mean, those villages could go ahead and be gone just by Rodan.

And then you lose your chance, you know, ending it. So right.

Not saying it's right, but just saying it's probably the best idea they got.

Point. After too much around triage, you have. To do

the least amount of harm possible. Yeah, pretty much.

So they start the attack. And after all the evacuations

are completed after the attacks, the volcano

wakes up one of the Rodans as it

gets its wing burnt. So it falls into the volcano.

The other scene, this lands itself in the volcano,

killing itself. And this leads to our final clip. As Khan

turned to weep on my shoulder, I realized the Rodans

were doomed. The heat, the gases, the bombardment

added to their bewilderment like moths in those rivers of

fire, they seemed almost to welcome the agonies of death.

And when, still calling to each other, one of them

fell at last into the molten lava stream, the other

still refused to the last of their kind.

Masters of the air and earth, the strongest,

swiftest creatures that ever breathed. Now they sank against the earth

like weary children. Each had refused to live without

the other. And so they were dying together.

I wondered whether I, a 20th century man,

could ever hope to die as well. It was as if something

human were dying as the flames consumed them in a fiery

holocaust, their last agony. Wails echoing in

a mournful cry. We stood there staring with

a strange fascination. All units return to base. Yes, I realize

now that by the narrowest of margins,

man had proved himself the stronger.

But will it always be so? May not other and more

terrible monsters even now be stirring in the darkness? And when at

last they spring upon us, can we be certain we shall

beat them back a second time? The answer lies in the future.

Our fears for now had gone up in flame

and smoke and roll

credits. Cinema PsyOps 10 years.

10 years.

So it tries for that same kind of downer ending that you get with the

original Godzilla Y. It tries for what we

had with Godzilla raids again by giving us two monsters that are double

the threat, but it's making them a mating pair. So it's

a little bit of an idea of like, okay, well, if these two throw down,

you know, and more eggs result in more Rodans, then we're going

to be like, neck deep in Rodans, and that's the end of all of humanity.

Right. Like, that's kind of the underlying message here. Yeah, that's, that's, that's maybe one

too many Rodans. You should really be limited to

one or less Rodans in your hor. Yeah, yeah. If there's too

many Rodans, then you're in trouble.

Yeah. You have to control that Rodan population. Yeah. Have your

Rodan spade or neutered.

Yeah. Like, it goes for the same downer and

a bummer, you know, where, like, they. They are somehow burned in

lava even though they themselves were hibernating in

said volcano. I'm not sure how that works.

But they're dead now. Somehow. It's all over. Yeah,

somehow. Listen, we're not

doing this to try to make you understand in court.

I know Mr. Burton was not put on this earth to get it right.

Yeah. Mr.

Psyop was not put on this earth to get it right. It's totally

Fine. It's fine. Yeah, it's a quick story,

like you said. At least this particular version of it that we got our hands

on. This is just what we had. Regular English language version

from that DVD that I have. There's a reason why I think

Rodin never really gets any, like, solo movies again

after this. He's a cool Kaiju and he's a

really great idea, but like, to sustain a film by himself can't

really do it, I don't think. No, I'm with you. I don't. I don't think

he's got what it takes to have a. Have its own storyline.

Right. He is a great tag team partner character from Godzilla and

several other Kaiju for sure, and definitely has

some cool shit that he gets to do later on, but not the kind of

character that can hold a lead for a film and like, grab your attention.

I would argue that there's a reason why Mothra gets several.

Goes around in different tryouts, even though a lot of her

films tend to be not necessarily

solo films either. You know, she usually requires a supporting cast too.

Yeah. She at least still got resurgence films of her own,

you know. No, I totally get that. Yeah. And I

like, I'm again, like, there's a reason why Varan doesn't really go much

further either too. Like, you know, Rodin showed up again. Moran kind

of doesn't really show up again except for like maybe like cameo things

here and there, you know. Yeah. But that's. Oh, yeah, that's about it. So.

But hey, all in all, an enjoyable movie. Yeah. Yeah. Like I said,

I don't have an issue with it at all. The biggest complaint that I have

is it's just too much like the plot of actually, like Godzilla.

Yeah. You know, like the Dragonfly things

that are eating people are really cool and creepy and of themselves.

Could have been a really cool movie of just these giant insects coming out of

the ground. Yeah. That might have actually helped it a

little bit more. I agree with you on that. But they had their own little

concept. Yeah. And I would have liked the idea of the Rodans

being awoken, feeding on these insects and basically

keeping them there at that area where that opening is and not

letting them come out by just basically nesting there and feeding on them.

And then the Japanese being like, okay, well, once they feed enough, they'll hibernate.

And then we bury them to where the Rodans don't even fuck with humanity

until they get attacked. And then the Rodans go and fuck up some cities.

Yeah. No, that I can see. Yeah. That would actually be good.

Right? Well, you know, it is what it is. I. I don't. I don't.

It's still good. I mean, I. I hate saying it like that. Still good?

No, the. The thing that's important about this and the thing that, like I said

earlier, it's the same thing with the Mummy. The effects in this are really,

really good. The miniature work in this is spectacular. And the effects

of things getting blown away and will, like, windows coming out of

buildings and things, like, it's just absolutely spectacular. They really

sell the damage that these subsonic creatures are able

to produce whenever they fly by. And that's what's so crazy about

Rodin, is like, he can buzz by so fast that he can suck

windows out of fucking buildings, like skyscrapers, and bend

them metal and shit. Like, that's cool. It really is. And they

do a great job of selling that. That's what's really, really amazing.

All the stuff that we're really kind of prying at and picking at is just

basically the rehashed story, which is really the only thing to complain about,

because everything else fucking kicks ass, pure and simple. Yes,

agree. Because the effects are

great. Like, we cannot. We cannot state that enough,

but that's to be expected of Ishiro Honda

of this time and essentially of any pseudomation film that was

made in Japan. You will always be awed by something in the

special effects at some point in time, and you are gonna see

something that you had not seen before. No matter how many of these

other Kaiju films you watched previously, they always find a way

to throw something in there that you have not seen before every single time they

make one of these. Yes, that is true. Y. The model work

is alone. Like, they change things around where you see cars blowing around or something

like that. Like, they just. They just vary things up just enough, and they

make it just believable enough that whenever you see it, your mind just automatically believes

that's the thing that you're seeing. And while there may or may not have been

a dude in the suit, depending upon which scene you're seeing, and it may have

just been a puppet that they were, you know, moving around, there is still,

like, you know, people doing all of these effects and making these explosions

happen, and it's still completely unsettling, safe. And these tiny little areas

that they have to maneuver around in with these giant cameras while they're

exploding things at rubber, it's just nuts

and so cool at the same time. Right?

Yeah. Oh, yeah, it's. It's cool, but it's fucking dangerous as shit.

Well, that's what makes it even more cool to me is, like, it's just so

fucking dangerous. Like, the puppet could fall on somebody. Like, who knows

what crazy shit could have happened while they were making these scenes with these Rodans

flying around smashing shit, but. Right. And it still looks fucking great.

Like, give me those Model Cities every fucking time. I'll take it.

Absolutely. Oh, yeah. Guaranteed, man. It's. It's part of what

makes the Kaiju movie so fucking awesome is Model City.

All right, why don't we go ahead and take the break here, and we'll go

ahead and get into this juicy story time you've been promising everybody.

Yes. All right. From the same year

release as Rodan, which was 1956,

we've got Chuck Berry with the song Rollover Beethoven on the pirate radio

edit. When we come back, we're going to sink our teeth into that juicy story

time.

Hey, man, what's going on? All right. What the. With the boss? I want

to bring salvation. Father, take me back.

Ah, you got to the lab, huh? Yeah. What did you show

them Mel Gibson's Passion of the Christ or some?

Make a feast. Welcome me home. I want to be

your son. I want to pay the price. I want

to be and rise again. Yeah, I showed

them that and then sort of told them the story of Easter.

I want to be what the.

Dude, they're robots. I may have also showed them

the Stations of the Cross. I'm sorry. They're crucifying Mat

Bot, man. They're making him their robot

savior. I know. It's insane.

I know. I know.

Really weird. It snowballed. It happened so

fast. It's weird.

A lot of songs from the late 50s and early 60s actually

just remind me of John Hughes movies we watched in the 80s, because a lot

of it was reused in those. Yeah, pretty much.

Well, I don't know if that's going to have anything to do with this juicy

story that you promised us for our next story time.

Story time.

Story time. Don't let it play every time for. You all the

time. Well, I'm. I'm in my 40s, right? Yes. I got

in a bar fight last night. Oh, my God, Matt,

it. In my defense, it wasn't my fault.

So it wasn't so much a bar fight as a

ball or a bar altercation. But. So the wife and I went

out last, just having a little night out, and we stopped by

my. Pretty much my favorite bar we're having a couple drinks. It's kind of like,

you know, I know everyone there and everyone knows me. And there was a guy

there who was whacked out, really whacked out.

And he kept bothering some people across the bar, like this older lady and

stuff. And the waitresses and bartender, they had enough and

they're like, hey, you know, Matt, just, you know, watch our backs a little bit.

I'm like, yeah, of course. Well, finally, you know, some of the cooks and everything

came out as well, and they were finally getting the guy to leave. And then

the guy went back to bother the older lady. Lady. And so I,

of course. And as I used to say, my voice

can be a force of nature. Used it. And that caused

the man to almost jump over the bar to try to kick the. Out of

me because it's a horseshoe bar, okay? So then he starts yelling

at me that he's a marine and that I have no idea how much money

he has. So all the classic lines of a loser.

Because the minute you're hammered and you start talking about how you are in any

sort of military service and that you have a lot of money, I. That you're

lying pretty much probably about both. But definitely about one of them.

Yeah, but definitely about one of them. So I. To help,

we get the guy outside. Then the two cooks went around

me and took him down and started beating the shit out of him after he

swiped at one of them. Then he gets up and then he comes to take

a swipe at me and he kind of

tries to push me. Now I'm a bigger dude and

he was not. So I did not move that. Tried to

sell cool or nothing. It's just he was really scrawny,

sickly, an addict of some sort. He had some kind of

goggles on, thinking that he was bigger than he is and he could move you,

but he couldn't, that's all. So he pushed, he fell back, he tripped and

he hit his head. And then the waitress, one of the waitresses,

slash bartender, she was like, oh, don't you push people? And she wanted to

kick his ass. And I'm like, oh, Jesus Christ. And so we had to call

the cops. And an ambulance came to come take him away.

Jesus Christ. But yes, in my 40s last night, I got into

a bar altercation. Well, that sounds like helping out with an altercation

that was just going to happen either way. You made it sound like. You made

it sound like you started some shit to start. I didn't mean to make it

Sound like I started anything, but I would never do that.

You basically just were older than that. You were just basically extra muscle for

someone. That was being a bit excessive and bit much.

And, yeah, this. You helped out the staff. That's a little different. Pretty. Pretty much,

yeah. But, yeah, I thought at one point I was going to have to kick

the shit out of the guy. And I'm not

saying I can kick the out of a lot of people, but I could have

kicked the out of that guy. Well, if nothing else, the two cooks

softened him up for you. Yeah. I mean, yeah.

Yeah. Well, I didn't know they were going to get involved. I didn't see,

like, I didn't see them, so I didn't see him coming, but they blew

right past me. I was like, whoa. Holy. All right.

What's up, fellas? How you doing? All right? Everyone's all right. All I'm saying is

do not fuck with back of house. Like, just. No, just do not,

dude. If that is. If there's a rule that we could,

like, describe to our people, if you're in a pub that serves food,

you do not fuck with back of house. They will fuck you up

in every situation, but, I mean, in every way possible.

Yeah. And while you're at it, just be respectful of your fucking wait staff,

too. But mostly, don't. Don't start a fight with anybody. What, Go there,

have an enjoyable beer or two, maybe a shot, eat some food and

then go home. Right. Like, what I'm getting at is if. If you are a

prick and you will ever heed any words from the

two of us, ever, if you are out there being a prick and

people are starting to call you on being a prick, if back of house gets

involved, get the fuck out of there now. Do not fuck

with back of house. They will hurt you.

It will not go well. These people are trained on removing

flesh from bone quickly and efficiently, and you do

not want to fuck with that. No, no, no. Do not fuck with

that. They know how to fuck. Most of them

have, like, been bouncers in their life or are former military.

They're big dudes almost all the time.

Back of house is not something you fuck with. That's all we're saying. Yeah,

yeah, right. All right. With that, we're gonna play the show

Housekeeping. And immediately following that, on the pirate radio edit, also from

1956, our man Johnny Cash with I Walk the

line on the pirate radio edit right after this. If you've decided you

can't get enough of the show, and would like to check out more of it.

We're available Legionpodcasts.com just do a quick search for cinema

psyops or just enter this entire URL into full on

robot religious war in here. It's insane. In my defense,

I didn't think they would take things so literally. They're robots. They only

work in absolutes for logic, man. Hindsight's 20

20, bro. Come on. All right, look, I'm going to have to try and

reset them. Here we go. All right, all right, let me try.

Buddhist. No. Oh, no, no. They won't do

anything. Oh, definitely not Islam. Jesus, we don't.

No, no. Especially if some of them remain in Christianity. Oh,

God. Well, I never thought you would teach them religion. I can't believe you

did put a filter on religion so it couldn't get through. I thought

that their logic boards would overcome that. Religion destroys all logic.

I just telling you, man. It was fast too.

Real fast. Okay, it looks like some.

Some of them have an understanding of what paganism was because of

what you taught them. Is that what we're gonna get out with?

Paganism? Well, I gotta do something in order to get them to

settle down to reboot. Oh my gosh. They're gonna start dancing around circles

and fire. It's gonna be weird. All right. They're set to pegas.

Oh, dude. They're conducting some kind of weird ritual.

Oh, God. Is it pretty.

Oh, man, they found my electronic pentagon. Oh, God. Why do

you have to that route still? I like black

metal and I'm a mad scientist. Of course I'm going to build an electronic

pedigree. I told you that was going to cause you nothing but trouble.

Sake. Oh, no. What? What's going on here? What are they doing? What the.

What the. That's not good. What happened? Okay.

Satan, Satan, our lord and master.

I acknowledge thee as my God and prince. I promise

to serve and obey thee. As long as I shall live. I renounce

the other God and all. Of a.

I always tend to let Johnny Cash go a little bit longer than others

fans. There's just no reason not to.

Yeah, we're both fans of the man in Black for sure. Yes, we are.

Well, I hate to interrupt everybody else's time enjoying

this episode, but it's gotta be done. We gotta close it out so we can

move on to the next one. So we're going to play the five Saints with

the song in the still of the night. Also Once again from 1956

on the pirate radio edit. So everybody enjoy that and kick the fuck out

of this weekend. Make it your bitch. I believe he's open to put another

alcoholic beverage. This makes a makers. Does it in

the last two hours. Jesus Christ. Can you tell if he even watched the movie?

He's so late. I just want this to be done. Now he's wondering

if this is really what they mean by Internet trolls. What?

This is sad. He thinks Internet trolls are what's in this film.

He has now switched to the troll hunters. Now he's watching that. Oh,

Jesus Christ. He is continuing the notes. Spelling error

when referring to number. It should be tw O,

not t o O. Stop correcting him.

Just read the fucking notes as he's writing them down so he can get this

over with. Of course there are two main groups.

Mountain and Woodland. The subgroups are. Oh my.

He is mispronouncing these in his head. This is most difficult.

Master. I don't know what to tell you. Just try and guess what word he

means by how he's spelling it. Rain. Go Fish. That can't

be right. There's no way that word makes ry fish. What is wrong with him?

He has soiled himself for sake. He is

a boo for his chair. This is quite disgusting. This is becoming

a bear seat. Why am I modeled after such a bear?

Trying to model some stuff. Is that a problem? It's either too loud or too

soft or. Well, neither really. In between. It's just.

This porridge is too hot, right? It's just never quite right.

The sound is just never quite perfect. So then Leon's

getting larger. Oh,

airplane. Recording in progress. Recording stopped.

Recording in progress. There we go. All right, so you're up first

with Rodan. I've got music from the same year that

Rodan was released. And it's a short movie, so this

will probably be a pretty quick episode. Dude. Yeah, but, you know, at least we

got clips. Yeah, at least this week we have clips to back up.

I'll get into it in the review, but this is the. You know what?

I'm gonna save it. Save it. Yeah, that would probably be for the best.

Let's go ahead and get started for episode 487.

3, 2, 1. Your longest

clip is now no longer than five minutes. So we're probably gonna have to let

them all play. Yeah,

totally. Just tells you the whole story. It's like,

so. Why he recorded

it? No, I don't blame you at all. I would have totally done the exact

same thing. Doctor. As a matter of fact, I did.

Well, something must have we both heard the pilot's report. Oh, that's totally Paul

Freeze's voice. You can hear it. And don't forget, it reversed its

direction at supersonic speed. I'm pretty sure Paul Freeze even

did the voice of Robbie the Robot from Forbidden World too.

Oh, Jesus. Small village, north of the city.

I hardly use it myself, sir. It promotes rust.

Not to mention all the stop motion animation Christmas movies he did the voices

for. Oh yeah, I'm sure.

Pa. What a career, huh? No.

Should we make this episode longer? Because now that I'm talking over the clip,

we play it twice. Almost. Yeah, there you go.

And now we're thinking. Now we're padding with glue.

Now we're doing it. No, not suicide.

They were too happy. From the position of the camera and.

The shoe, it looks as though they might. They were too happy for suicide.

Too happy. They definitely weren't in

this time frame. Official diagnosis or.

Yeah, this was your longest clip. It's now

just down to five minutes. Monsters. Yeah. Ah. So it ate the insects.

I don't think it gave birth. I don't think the insects came.

Hi, I'm Sarah McLaughlin and I'm back to ruin your day

again. Last time I told you about Matt. A God fearing

cheese head with a taste for cheese. Alcohol. Matt has been

the subject of inhumane cinematic experimentation for the past

year now. And I'm afraid things have taken a. Turn for the worst

for poor Matthew. He is now routinely subjected

to marijuanas. Now we all know

the danger of marijuanas. It's the most dangerous drug

known to man. One injection of marijuanas can change a person

for the rest of their life. This is where why the Starfish Funds. Need your

help more than ever. If we don't take some action soon, it won't

be long until Matthew is living in the same pair of stinky Birkenstocks,

listening to fish recordings and eating. Little Debbie snack cakes all

day. Please be Matt's angel and give to the Starfish

Fund. And whatever you do, please avoid

marijuanas at all cost. Well,

I hate to interrupt everybody else's time in enjoying this episode,

but it's gotta be done. We gotta close it out so we can move on

to the next one. So we're going to play the Five Saints with the song

in the still of the Night. Also Once again from 1956

on the pirate radio edit. So everybody enjoy that and kick the fuck out of

this weekend. Make it your bitch once again. Sounds like a John

Hughes movie soundtrack, right?

Oh God, I gotta stop that. So that means I gotta stop this. Recording stopped.

Cinema_PSYOPS_EP487: Giant Monsters FSU: Rodan (1956) (Main Feed)
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